film week

Dougal Wilson

Dougal Wilson on working with kids

Working with kids can be notoriously tricky. But they can also be filmmaking gold. As part of our film week, to tie in with the Baftas, we talk to advertising director Dougal Wilson about the tricks he uses to get great performances out of children.

Creating costumes for Phantom Thread

Mark Bridges talks us through the process of creating costumes for Paul Thomas Anderson’s latest film Phantom Thread – a twisted romance about a neurotic fashion designer and his young muse – as part of our Film Week special

How I Got Here: Annie Atkins

In the run-up to this year’s BAFTAs, CR is running a series of features on the craft of filmmaking. Annie Atkins talks us through what it’s like to work as a graphic designer for film, how she found her niche in the industry and the highlights of her career in film

So you wanna be in the movies?

In the run-up to this year’s BAFTAs, CR is running a series of features on the craft of filmmaking. Here, screenwriter, actor and director Paul Viragh explains what you need to do in order to get you brilliant idea for a movie onto the screen – warning, it’s not easy…

Darkest Hour

How Framestore recreated history in Darkest Hour

Darkest Hour, directed by Joe Wright, is set in 1940, during the early days of Winston Churchill’s first term as Prime Minister. As part of our film week to coincide with the BAFTAs, we talk to Framestore’s Stephane Nazé about how the team brought history to life for the film, from battle scenes to the London dirt and grime.

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