hot metal

What do designers like to eat?

Last year, CR’s Patrick blogged about how two features in our August issue mentioned the importance of “lunchtime arrangements” in studio culture. Now a new book, What’s Cooking? asks 28 designers specifically about the food and recipes they like

3D Typography book

In her foreword to new book 3D Typography (by Jeanette Abbink and Emily CM Anderson, published by Mark Batty), Karrie Jacobs explains why designers are increasingly seeking out a return to the tactility of physical letterforms

72+

To say that design studio Bibliothèque are avid collectors of graphic design would be something of an understatement. It’s more like they have an addiction to sourcing print classics, particularly from the European Modernist tradition. But they’ve finally managed to find an outlet for one of their favourite collections; Otl Aicher’s work for the 1972 Munich Olympics, in the form of an exhibiton of some of his best work from the project, and the show, 72, has just launched at London design store Vitsœ.
We met up with Bibliothèque, Mark Adams, owner of Vitsœ, and designer Michael Burke who actually worked on the Olympic project with Aicher and had invaluable first-hand experience of the processes and methods involved in creating this seminal body of work. The following is the full transcript of the discussion that took place at Bibliothèque’s studio. (An edited version appears in our current March issue as part of a four-page feature on Aicher’s legacy and the 72 exhibition).

Graphic Designer

Twiddle & Co

Design Team Leader

De La Rue