Jonathan Ellery at his debut London show
The subtle alchemy of the editing process will be familiar to most designers and art directors. Browns’ Jonathan Ellery has translated his own fascination with it into three personal projects, all of which are brought together at his debut London gallery show, Unrest, which opened at The Wapping Project earler this month and was featured in last month’s issue of Creative Review.
One of the most loaded questions any Londoner can ask another is the seemingly innnocent, “So, where do you live?”. In a city as property obsessed as London, divulging your address reveals far more than your post-code. In London, you are where you live.
Peter Dawson, of design studio Grade, recognises as much in his response (above) to a brief from the International Society of Typographic Designers. Dawson was one of 18 designers invited to take part in the ISTD’s My London/My City exhibition.
When Jonathan Ellery, founder of London design studio Browns, received an email from a recent placement student, he was expecting the usual note of gratitude for providing some invaluable experience. But instead of a friendly “thanks for the opportunity”, the fresh-out-of-college graduate had taken it upon herself to offer her advice on how to run his studio. “I was absolutely astonished,” says Ellery. “I felt for her really because she’s in for a shock. I don’t know where that level of arrogance comes from but I find it baffling.”
On Creative Review we have had some brilliant placement students – both designers and journalists. But we’ve had our fair share of disasters along the way too: the girl who alternated between floods of tears and snoring over her desk until prodded awake; another who kept a calendar next to her monitor on which she would cross off each day until her purgatory was at an end (her last day was outlined in pink stars). And several who went out for lunch and never came back.
The placement experience cuts both ways of course. Tales abound of students being given nothing more challenging to do than clean out a cupboard or get the tea. But doing a placement remains the best means of securing that all-important first design job.
As this year’s flood of new graduates hits the labour market, they could do worse than check out a book of practical advice from which Ellery’s anecdote comes.