I read the news today, oh boy
An investigation into the future of Designing News by one of its leading exponents is an important, timely book with a wealth of examples
Richard Turley
The creative director of Bloomberg Businessweek talks about stealing, using things you don’t like in your work, and rebelling against modernism
New York Times’ new website design: an early appraisal
We asked a few editorial designers to assess how the NYT’s proposed website redesign is shaping up…
The Design Museum’s Designs of the Year 2012
The Design Museum has announced its longlist for the Designs of the Year 2012 exhibition and, as with previous years, the difficult task of showcasing a whole year in design reveals both the strengths and weaknesses of such a process
Port and The Guardian: new takes on iPad apps
Port magazine and The Guardian have provided two very different but thoughtful approaches to the complex challenges of publishing for the iPad
Colors at 20: time
Benetton’s Colors magazine was born in 1991. As it grew up, it shocked, provoked and charmed, but now it’s just mildly interesting
CR Type Annual
Creative Review announces the launch of our first Type Annual, showcasing the finest in type design from the previous 12 months. Deadline October 22
What The Guardian could have looked like?
Richard Turley, art director of The Guardian’s G2 section, has just completed a redesign of Bloomberg Businessweek. It includes some ideas that were originally intended for The Guardian’s redesign
Brand Guardian
A graphic language first developed for the paper now extends to all the Guardian’s activities, including its new home
Does Design Twitter need a code of ethics?
Snarky comments do little to help the creative industry, but can Twitter be salvaged as a place for useful design discourse? Nicole Phillips and Craig Oldham discuss how to deal with negativity, and whether design Twitter needs a dose of online etiquette
Simon Bailly creates striking images set in a retro-future world
Working mainly on commissions for newspapers, Bailly adopts a ‘ligne claire’ style to create crisp, clean-cut illustrations
Navigating a career as a self-taught creative
Photographer Luis Alberto Rodriguez and designer Jordi Ng both forged a career without a formal arts education. They reflect on how they learned their craft, coping with insecurity and what taking an alternative route has brought to their practice
Bloomsbury’s Greg Heinimann on creating beautiful book covers
Greg Heinimann discusses his career journey from Waterstones bookseller to Bloomsbury deputy creative director, plus the secret to designing an eye-catching book cover
Creatives on the books that shaped them
We speak to figures from the worlds of design, advertising, and more about the books they’ve learned the most from over the course of their careers
Who will win the online education arms race?
E-learning, bootcamps and workshops are all booming, but what does it take to survive long term in the world of learning? Mastered’s Perri Lewis and SuperHi’s Rik Lomas discuss the big questions education providers face
One Hundred Years tells the story of Hackney through the ages
Published by Hoxton Mini Press, Jenny Lewis’ new photo book features 100 portraits of 100 Hackney locals – from a newborn through to a centenarian
How I Got Here: Hillary Coe, AKQA
Designer, drag racer and analogue astronaut Hillary Coe has joined AKQA as principal of experience, following a position as director of design at SpaceX. She talks to us about creating roles for herself that didn’t exist and embedding adventure into her life and work
The Fandangoe Kid on creativity as catharsis
Artist Annie Nicholson, aka The Fandangoe Kid, shares how grief has shaped her practice, and discusses the complexities of using creativity to work through trauma
Polly Irungu on creating Black Women Photographers
The platform Black Women Photographers was set up in 2020 to create a community that empowers Black women and non-binary photographers. Here Irungu discusses her motivations and the journey she’s been on
Penguin’s Len Deighton covers are a twist on classic 60s book jackets
A new Modern Classics collection of the British writer’s spy novels reinterprets the chevron graphics of Raymond Hawkey’s original Penguin paperback covers
Inside the VFX boom
The VFX artists behind Disney’s award-winning film The One and Only Ivan talk about tapping into their secret inner thespian and why VFX is in the midst of a golden period
Making sense of the NFT gold rush
NFTs have been all over the news, spreading a mix of confusion and excitement in equal measure. Here, James Britton, group managing director at Stink Studios, explores what opportunities they might open up for artists and designers
Donald Graham Burt on making a career in production design
The Oscar-winning production designer discusses his journey from night janitor to one of David Fincher’s most trusted collaborators, plus his work on the director’s latest film Mank
How design is bringing new places to life
The past year has created a new emphasis on our surroundings, leading to an acute awareness of whether areas really serve their communities. We explore how place branding and marketing have been adjusted to reflect this
Inter Milan introduces stripped back ‘I am’ logo
Bureau Borsche is responsible for the updated visual identity, which is tailored for digital environments and, according to the club, aims to “establish itself as an icon of culture as well as sport”
Why portrait photography is all about trust
CR speaks to three portrait photographers about why they were drawn to the art form, and the importance of trust and collaboration when working with a subject
Rachel Seidu’s photography captures what she sees around her
The Lagos-based photographer is inspired by her environment and favours close crops to capture the emotions of her subjects
Kara Haupt on art directing for daily news websites
Haupt is senior art director for the websites of NBC News, Today and MSNBC. Here she talks about the importance of commissioning and the pressure of millions of viewers every day
My breakthrough moment: Simon Buckley
“I wanted to be Ultravox, but sometimes I worry I’ve ended up like Joe Dolce.” Simon Buckley’s photograph of Manchester in the rain became a viral sensation in 2019. He explains what happened next
