The art director and editor behind Port and Zembla are teaming up on a ten-issue literary magazine set to launch in 2021, with a list of contributors that includes everyone from David Lynch to Bridget Riley
The electronic music platform is visualising DJs’ early interactions with the scene through its refreshing illustration series, Cue Point
With the UK in lockdown, and much of the creative community with some unexpected time on their hands, there’s never been a better time to tackle that project you’ve always dreamed of doing. But how to get started? Richard Holman has some tips
In his new book, longtime punk memorabilia collector Andrew Krivine takes a deep dive into the work of some of the big name and less well known creatives behind the music. Here, he tells CR why the visual history of punk goes well beyond its DIY rep
Last week saw the death of Albert Uderzo, who, alongside René Goscinny, created the stories of Asterix the Gaul. Here, Mark Sinclair explores Uderzo and Goscinny’s remarkable creative collaboration and the influence it has had on generations of creatives
Musicians Brian and Roger Eno have released their first album together; here CR talks to them about the project and what makes a good creative collaboration
Glide through rich faraway lands in the folkloric music video created for the Canadian musician’s second album, The Isle of Ailynn
The Ghanaian artist gives new life to discarded materials in his often monumental projects which evoke centuries of history. He takes us through the process behind his work, and the value of bringing in ordinary people to create extraordinary installations
Illustrator and animator Annie Wong combines her love of “lumpy things” with a 90s MTV aesthetic to create images and gifs crammed with wit and warmth
The visual artist is asking people to use the sheer boredom of self-isolation to their advantage in a series of weird and wonderful creative challenges
Having just graduated from the Academy of Fine Arts Leipzig, Franz Impler injects his love for 90s video games and clashing colours into every project
Director Ian Pons Jewell shares his thoughts on becoming adland’s go-to director for everything weird and wonderful, and why he writes back stories for every single character – yes, including Skittles’ yoghurt boy
