Stefan Sagmeister

We Can Work It Out

Students at the London College of Communication can work for a year as part of a course that gets them out into the real world. It’s great for them – and the industry

Design Indaba: Michael Bierut

CR will be blogging from this year’s Design Indaba in Cape Town this week. Co-host and speaker Michael Bierut kicked off the festival this morning with a deft presentation about how sometimes as a designer it pays to be humble…

Twitter: @CreativeReview

Creative Review’s resident twitterer explains why the micro-blogging site has proved such a valuable asset to the magazine.

Me, Myself and I

From designer Nicholas Felton’s recently-published Annual Report, documenting his 2008 in minute detail. Last year he travelled 38,524 miles. Average speed: 4.39 mph
Why do graphic designers find themselves so fascinating? As Nicholas Felton issues his latest Feltron Report for 2008, Michael Johnson examines the new wave of ‘me-projects’.

Me, myself and I

Why do graphic designers find themselves so fascinating?
Michael Johnson investigates the new wave of ‘me-projects’

Sam Potts

Design fit for superheroes and other stories: Patrick Burgoyne meets well-read New York designer Sam Potts

Freitag’s 18-Wheeler

Design by Chris Gray. Photo: Noë Flum
The Swiss brand Freitag is well-known for manufacturing bags out of old tarpaulin. Their latest design, however, is staying firmly on the side of their own 18-wheeler truck. For the time being at least. The new design is actually the winning piece of work from their first Design-A-Truck competition by Chris Gray of Manchester-based studio We Shall See. Gray’s design has just been rolled out on the side of this enormous truck which will be seen all over Europe. But come 2013, it too will become a series of limited edition bags…

Typo Berlin 08

The power of imagery to distort, distract and seduce emerged as the pervasive theme of Typo Berlin 08, says Daniel West

The (Not So) Glamorous Life of Karlssonwilker

Hjalti Karlsson (left) and Jan Wilker at their studio. Photo: Elisabeth Smolarz
Most design monographs follow a fairly predictable formula: in their beautifully produced pages, triumph follows triumph in a career of uninterrupted glory punctuated by pauses to pick up yet another award or admiring magazine profile. Not so Karlsson­wilker’s Tellmewhy. Published in 2003, the book, as its subtitle reveals, documents “the first 24 months of a New York design company” set up by Hjalti Karlsson and Jan Wilker. It would be fair to say that those first two years were something of a struggle…

CR Annual: the winners

The May issue of Creative Review (above) features 100 pages of work selected for this year’s Annual. The very best of those make up our Best In Book section: details of the winners here…

Design Conferences: Isn’t it time we demanded more? asks Rick Poynor

For anyone who loves going to design conferences, we live in remarkable times. There are dozens, if not hundreds, of them. A design conference always seems to be just starting or finishing somewhere in the world. It would be quite possible to make going to conferences into a full-time job and some of the more in-demand and tireless design conference speakers appear to be doing just that. When do they get their real work done, you might wonder? The answer is that they do a lot of their thinking in transit, at 30,000 feet, or in the away-from-it-all, vacation atmosphere of distant hotel rooms paid for by conference organisers who are thrilled they are willing to appear.

Things I Have Learned In My Life So Far

One of 15 covers for Stefan Sagmeister’s new book, published in March. Concept: Stefan Sagmeister. Design: Stefan Sagmeister, Matthias Ernstberger. Publisher: Abrams
Currently on show at Deitch Projects’ Grand Street gallery in New York is a new exhibition of work by Stefan Sagmeister. Entitled Things I Have Learned In My Life So Far, the show is a continuation of Sagmeister’s book of the same name, published by Abrams Books this spring.
The book is based on a list of maxims made by the graphic designer on his “experimental year” in 2000, where he took time out from working on commercial projects. While the maxims read as a mixture of wise pragmatism with philosophical reflection, they quickly became incorporated into projects for clients when Sagmeister’s office reopened, and it is 20 of these projects that form the book.