Our latest pick of new designs includes graphics and interiors for a beer exhibition, visual identities for an architecture practice, a North London supermarket and children’s TV channel Boomerang, a new music streaming app and a poster exhibition paying tribute to Massimo Vignelli.
In 2007, CR’s Patrick Burgoyne wrote a piece for the magazine headlined The New Ugly. In it he suggested the emergence of a new wave of graphic design that knowingly broke the rules in an attempt to seize the attention of jaded audiences and respond to young readers. This month sees the publication of a new book, Pretty Ugly, that documents the work of a group of designers who share many of the attributes and aspirations noted in CR’s original piece. Patrick Burgoyne talks to the book’s editors, Martin Lorenz and Lupi Asensio of TwoPoints.Net, about where this movement has
come from and what its legacy may be…
Skewed, stretched type, clashing colours, too little or too much spacing – across Europe a new generation of designers and art directors is breaking every rule. But is their work rebellion for rebellion’s sake or does it have wider implications for visual communications?