It’s 1978. A pensive, hirsute Malcolm Garrett (right) sits in on a recording session with Buzzcocks, the Manchester punk band whose image he so deftly crafted out of a resounding collision between day-glo and Constructivism. What’s he thinking about? Lunch? The impending implosion of civil society in the face of Pete Shelley’s checked shirt?
Whatever, he’s probably not thinking “come 2006, this lot are going to need me to design a thirtieth anniversary logo for them”.