When it was founded in 1919, the Bauhaus school represented a new approach to art that did away with the pretension of previous movements. Burning bridges between artist and artisan, focus was placed on craft, process and the building of art rather than the end product itself. The iconic school would go onto influence design and architecture over the next century with hallmark names like László Moholy-Nagy, Paul Klee, Wassily Kandinsky and Marcel Breuer at its helm, who all taught at the iconic school as ‘masters’ during its 24-year history. However, few women were made masters, and women artists tend to rank further down on the Who’s Who list of Bauhaus icons, despite the school’s reputation as a bastion of gender equality.
The intrinsic gender imbalance at the Bauhaus meant that the school perpetuated favouritism towards its male members, according to Patrick Rössler, author of Bauhausmädels. The book, which translates as ‘Bauhaus gals’ – at the time a term of admiration – centres on the women of the Bauhaus who are often absent from conversations about the school’s history.
Join our community
This article is available to subscribers only. Sign up now for your access-all-areas pass.
Got a question?
+44 (0)20 7292 3703 or firstname.lastname@example.org